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Well, with the changing of Summer into Fall, and the end of boating season, I usually resume my woodworking projects. I was getting geared up to FINALLY build some cabinets/storage under my workbench. I have the idea in my head and was thinking I would start on it this weekend. Well, Im going to have to put that on the back burner for a few weeks at least; I was playing some basketball on Tuesday night and blew out my knee. The initial diagnosis is a torn acl and cartilage; MRI will tell the full extent of the damage, but it is looking like acl replacement surgery in the next couple of weeks. Im a pretty active, and independent, person so being laid up in a full leg brace and crutches is killing me!

On another woodworking note, I was able to do some "new to me" woodworking recently; pen turning. This is one of the coolest things ever...I love it! I got a flier in the mail from Penn State Industries about their starter kit and figured "why not give it a try". So I ordered this kit: http://www.pennstateind.com/store/PK073SPECX.html
It arrived a few days later and is chock full of great stuff. I have only turned two pens, but I think they came out great. I will try and get some pictures up in the next couple of days. My wife took one of the, which is actually my favorite one, so when she gets back Im going to snap a couple pictures and get them up. I will probably write a bit of a review about the kit as well so stay tuned for that.

So, even with the busted up knee, Im hoping that I can still turn some pens and pencils, maybe get started on some Christmas presents this way. Happy woodworking and STAY SAFE!!

I received a copy of Canadian Architect magazine in the mail the other day. It came with a special edition on Peter Cardew, recipient of the RAIC Gold Medal 2012. Peter Cardew is a Vancouver Architect who started his practice in 1980. I am reminded of a forum organized by the Craft Council of British Columbia in the late 1980’s or early 1990’s at Emily Carr College of Art. The subject of the forum was collaborations between craftspeople and architects. Peter Cardew was the architect invited to speak on the topic. I will always remember his presentation as confusing and awkward. I could not understand why of all the architects, he had been invited to speak on this topic. Reading this Canadian Architect publication all these years later gives me some ideas. Peter Cardew’s presentation at the CCBC forum consisted of showing slides of his work and making the occasional comment on the quality of work, or craft of some of the tradespersons involving in the production of his buildings. For example, he mentioned the quality of the concrete finishing on one project. Clearly there was a big difference between the craft work in his projects and the concept of collaboration between craftspeople and architects as understood by CCBC and its members. The collaborations that were the subject of the CCBC forum would involve the craftsperson being commissioned to design and produce work to compliment the architect’s design. Some examples might be a glass feature wall, ceramic lighting fixtures, wood furniture, a metal sculpture etc. For Peter Cardew, craft referred to the execution of his designs by tradespersons. The confusion involves the use of the word “craft” in the modern context. Today architecture is built by tradespersons, carpenters, joiners, masons, plumbers, electricians, etc. The word “craft” can be a verb or a noun. In each case it refers to the work of a craftsperson as in “to craft a piece of furniture” or “the potter’s craft”. The word “trade” can also be a verb or a noun but when used as a verb it does not refer to the work of a tradesperson. To trade a piece of furniture means to exchange it. Modern craftspeople have been struggling with their identity and place in our culture for decades. We no longer rely on craftspeople to make the things we need. In the modern world these things are produced by industry and distributed through stores. Craftspeople today see themselves as artists, as designers and makers of the unique things they produce. The role of the craftsperson has changed but language has not changed in step. The word “craft” is still used as it might have been centuries ago. In the production of architecture, craftspeople have been replaced with tradespersons. Rather than creating new words to describe the work of these tradespersons, the word “craft” has been retained. This I believe was the basis for the confusing presentation given by Peter Cardew at the CCBC forum. For the modern craftsperson, this confusion continues.